K
Ken
PapaJohn and John,
I like the PIP transition. How did you get the helicopter clip to slide up
the screen? Was it done entirely with MM2? I assume that the helicopter clip
was the second clip with the transparent color surrounding it? If you don't
mind revealing your trade secrets, I would like to know how you produced
that clip.
I had not thought about using the key transition for picture in picture.
There is another custom transition that will do that in one easy step. It
will shrink, zoom, stretch and crop any region of the second clip to a
rectangular window of any size at any position over the first clip. Of
course, you cannot move the PIP window up the screen as you did, PapaJohn;
so the key transition is much more robust.
I have been thinking about what you said, John, about fixing the edge color
effect. It sounds like it will be particularly difficult to fix in text over
video transitions. Have either of you figured out where the unwanted color
comes from? My guess is that it comes from anti-aliasing during either the
image creation or mm2 resizing of source video or both. Have you noticed
that the unwanted color on the edge is a mix of the transparent color and
the opaque color? Perhaps it would turn out cleaner if the color near the
edge of the opaque part was just one click away from the transparent part.
For a font overlay, you could use a font color of RGB(254,254,254) and a
transparent color of RGB(255,255,255). That way any anti-aliasing or font
smothing affects would not be noticeable in the final product. Let me know
if you have had any other thoughts on the subject.
Ken
I like the PIP transition. How did you get the helicopter clip to slide up
the screen? Was it done entirely with MM2? I assume that the helicopter clip
was the second clip with the transparent color surrounding it? If you don't
mind revealing your trade secrets, I would like to know how you produced
that clip.
I had not thought about using the key transition for picture in picture.
There is another custom transition that will do that in one easy step. It
will shrink, zoom, stretch and crop any region of the second clip to a
rectangular window of any size at any position over the first clip. Of
course, you cannot move the PIP window up the screen as you did, PapaJohn;
so the key transition is much more robust.
I have been thinking about what you said, John, about fixing the edge color
effect. It sounds like it will be particularly difficult to fix in text over
video transitions. Have either of you figured out where the unwanted color
comes from? My guess is that it comes from anti-aliasing during either the
image creation or mm2 resizing of source video or both. Have you noticed
that the unwanted color on the edge is a mix of the transparent color and
the opaque color? Perhaps it would turn out cleaner if the color near the
edge of the opaque part was just one click away from the transparent part.
For a font overlay, you could use a font color of RGB(254,254,254) and a
transparent color of RGB(255,255,255). That way any anti-aliasing or font
smothing affects would not be noticeable in the final product. Let me know
if you have had any other thoughts on the subject.
Ken